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After presenting book’s justification, the introduction articulates its central argument: that the four-tale sequence of Clerk, Merchant, Squire, and Franklin enacts a dynamically unfolding, conflicted meditation on how literary value may be construed in a way that justifies the time, energy, and expense devoted to the writing of fiction - a justification made in respect to other activities pertaining to other values, especially to economic value in the sense of making a living. The introduction then considers the metacritical stakes and implications of this argument along the methodological dimension of the bearing of manuscript evidence on the principles of Chaucer interpretation and the conceptual dimension of the problem literary value. The former consideration reviews the manuscript basis for the book’s claim about the four-tale sequence; the latter consideration indicates theoretical debts (to, e.g., Bruno Latour and Georg Simmel) and introduces several key terms used throughout the book (the most important: literary axiology, axiological person, and axiological logic), explaining the relation of these terms to more traditional ones of Chaucer criticism.
Literary authors, especially those with other occupations, must come to grips with the question of why they should write at all, when the world urges them to devote their time and energy to other pursuits. They must reach, at the very least, a provisional conclusion regarding the relation between the uncertain value of their literary efforts and the more immediate values of their non-authorial social identities. Geoffrey Chaucer, with his several middle-strata identities, grappled with this question in a remarkably searching, complex manner. In this book, Robert J. Meyer-Lee examines the multiform, dynamic meditation on the relation between literary value and social identity that Chaucer stitched into the heart of The Canterbury Tales. He traces the unfolding of this meditation through what he shows to be the tightly linked performances of Clerk, Merchant, Franklin and Squire, offering the first full-scale reading of this sequence.
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