In her writings, the Egyptian-born Israeli author Jacqueline Shohet Kahanoff advocated Levantine cosmopolitanism, which she dubbed Levantinism, as a unique cultural model particular to the Eastern Mediterranean. Through an analysis of Kahanoff's novel Jacob's Ladder (1951), this article questions the nostalgic image often associated with Egyptian cosmopolitanism. I argue that this text provides rare insight into the process through which Levantine culture developed amid several competing imperial and nationalist projects. In particular, I show how the novel's depiction of Levantine spaces documents the marginalized role of the working class in the education of elite Levantine society and its acquisition of cultural capital. My analysis also explores how the construction and sustenance of a celebrated image of the Levantine past depended on the racialization of labor, or what I call “ethnic classism.” Through this latter process, a labor force made up of other cosmopolitan subjects was Orientalized and relegated to the background where it served to highlight a European-like Levantine cosmopolitanism.
