We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure no-reply@cambridge.org
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
Edited by
Jesper Gulddal, University of Newcastle, New South Wales,Stewart King, Monash University, Victoria,Alistair Rolls, University of Newcastle, New South Wales
This chapter explores the history of crime writing in Arabic. It first traces the depiction of police and crime investigation in classical sources and then moves to the nineteenth century, when representations of crime and detection became an important part of the expansion of the press during the literary renaissance in the Arab world known as the Nahda. As a next step, the chapter turns to the early twentieth century, exploring the trope of the noble thief who has been unjustly oppressed by a corrupt justice system and police force. The chapter argues that this highly negative image of the police would continue throughout much of the twentieth century in Arabic literature, as seen in Naguib Mahfouz’s seminal 1961 novel, The Thief and the Dogs. The chapter then discusses two little-known works, the first police procedural written in Arabic from 1960s Morocco and a photo-novel from 1970s Lebanon, highlighting important developments in the depiction of crime and policing in Arabic. The chapter ends by tracing the development of the police procedural in North Africa, linking transformations in human rights in the region to the representation of policing in Arabic fiction.
Recommend this
Email your librarian or administrator to recommend adding this to your organisation's collection.