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Alexandria was the epicenter of Hellenic learning in the ancient Mediterranean world, yet little is known about how Christianity arrived and developed in the city during the late first and early second century CE. In this volume, M. David Litwa employs underused data from the Nag Hammadi codices and early Christian writings to open up new vistas on the creative theologians who invented Christianities in Alexandria prior to Origen and the catechetical school of the third century. With clarity and precision, he traces the surprising theological continuities that connect Philo and later figures, including Basilides, Carpocrates, Prodicus, and Julius Cassianus, among others. Litwa demonstrates how the earliest followers of Jesus navigated Jewish theology and tradition, while simultaneously rejecting many Jewish customs and identity markers before and after the Diaspora Revolt. His book shows how Christianity in Alexandria developed distinctive traits and seeded the world with ideas that still resonate today.
Chapter 8 is an account of music-making at Christian social meals over the course of the first four centuries of the Common Era. Topics include musical activities at community suppers, private Christian dinner parties, and martyr festivals, as well as ways in which certain Christian writers saw a parallel between singing by turns at Christian social meals and the customs of classical Greeks. The earliest form of Christian music was the self-composed song or hymn, whose setting was the community supper and private Christian dinner party. In time, biblical psalms were taken up as part of the individual Christian’s song repertoire for social meals and prayer gatherings. During the third and fourth centuries, personal hymnody was largely displaced by psalmody. Meanwhile, differing preferences and moral sensibilities among Christians, typically with overtones of class, troubled inner church relations over musical recreations in both church and nonchurch social settings.
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