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This chapter discusses the place of the traditional and cosmic gods in the cosmological theogony of the Timaeus. It argues that Plato’s cosmology follows the Greek theogonic tradition to a certain degree and accommodates both the traditional and cosmic gods via a shared pair of the first gods, but adopts different explanatory frameworks for the two types of gods. It also proposes a new reading of the Timaeus as a theogony of Ouranos. For Plato, Ouranos is a traditional god and a cosmic being, and as such he is the most senior deity of both families. These new findings lead to a more detailed examination of the double identity of gods (cosmological and religious) in Plato’s later dialogues, which shows that there are at least three ways to understand the double identification of gods.
This chapter examines the reception of Plato’s take on cosmology and religion in the works of the Early Academy. It argues that the Academics continued to develop the theology of Ouranos, who remained the primary cosmic god in their cosmological systems. They also moved towards a tighter union of the traditional and cosmic gods. Philip of Opus used the identities of the traditional gods to uncover the divinity in planets and stars, while Xenocrates extended the procedure of religious naming to all ontological and cosmological principles, thus fully assimilating the traditional gods with the philosophical gods. Finally, their moral systems adopted a strongly intellectualist version of the ideal of godlikeness, according to which only the cosmological beings can be the ethical role models.
This book sheds new light on Plato's cosmology in relation to Greek religion by examining the contested distinction between the traditional and cosmic gods. A close reading of the later dialogues shows that the two families of gods are routinely deployed to organise and structure Plato's accounts of the origins of the universe and of humanity and its social institutions, and to illuminate the moral and political ideals of philosophical utopias. Vilius Bartninkas argues that the presence of the two kinds of gods creates a dynamic, yet productive, tension in Plato's thinking which is unmistakable and which is not resolved until the works of his students. Thus the book closes by exploring how the cosmological and religious ideas of Plato's later dialogues resurfaced in the Early Academy and how the debates initiated there ultimately led to the collapse of this theological distinction.
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