We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure no-reply@cambridge.org
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
Before the late sixteenth century, the churches of Florence were internally divided by monumental screens that separated the laity in the nave from the clergy in the choir precinct. Enabling both separation and mediation, these screens were impressive artistic structures that controlled social interactions, facilitated liturgical performances, and variably framed or obscured religious ritual and imagery. In the 1560s and 70s, screens were routinely destroyed in a period of religious reforms, irreversibly transforming the function, meaning, and spatial dynamics of the church interior. In this volume, Joanne Allen explores the widespread presence of screens and their role in Florentine social and religious life prior to the Counter-Reformation. She presents unpublished documentation and new reconstructions of screens and the choir precincts which they delimited. Elucidating issues such as gender, patronage, and class, her study makes these vanished structures comprehensible and deepens our understanding of the impact of religious reform on church architecture.
The thirteenth century saw the triumph of the Gothic style in architecture in the building of great cathedrals all across Europe, a phenomenon much celebrated by modern art historians. The material support offered to ecclesiastical institutions is probably most often explored by historians with regard to aristocratic patronage and to donations made in connection with the preparations for a 'Good Death'. The Fourth Lateran Council, for example, apparently dealt with the issue by decreeing that all sacraments had to be administered for free, contrary to customary practice. The papacy not only tried to control lay payments to local churches more vigorously but ecclesiastical expenditure also became the object of scrutiny and legislation in the thirteenth century. The earliest English examples show that initially bishops who approved such grants considered them to be temporary and required owners to attend parish services as well. One document from the city hospital in Vienna can illustrate the new directions of material support.
The history of the church in Europe in the tenth and early eleventh centuries is essentially the history of many local churches, in which the dominant role in secular ecclesiastical and religious life was played by the bishops. Parish churches are associated not only with smaller units of a city, such as those created by Bishop Burchard in Worms in the early eleventh century, and with areas in the countryside, but also with individual lords' estates, the so-called Eigenkirchen. The charters witness to contact being maintained between the papacy and churches in England, France, Spain and Germany as well as in Italy and Rome itself. Ever since their first bishop, Anskar, had preached the Gospel in Denmark and Sweden, the bishops, in the way Adam of Bremen tells their story, directed their energies towards establishing the church in Scandinavia. The conciliar decisions of the tenth century overall have a clear and acknowledged debt to Carolingian church councils.
Recommend this
Email your librarian or administrator to recommend adding this to your organisation's collection.