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‘The Poetry of Married Life’ reflects on poetic descriptions of the quotidian reality of married life in the light of idealistic notions of ‘companionate marriage’ emerging from contemporary Socialist and Utopian thought and the prevalent sense of what Matthew Arnold called the ‘poetrylessness’ of modern life. Coventry Patmore’s The Angel in the House begins by attempting to dignify the mundane events of married life, but finds, like the other poets whose work is examined in this chapter, that ‘[the] poetry of married life is almost invariably a poetry of postponement and evasion’. The result, in the work of Patmore and others, is a poetry which combines a typically Victorian focus on what Robert Browning calls the ‘moment, one and infinite’ in which the meaning and value of life are revealed with an equally characteristic search for forms capable of embodying the poets’ continual reflection on and reassessment of experience.
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