Surrealism’s apparent hostility towards the novel was directed more towards the nineteenth-century realist tradition, whereas the movement was strongly attracted to the Gothic novel through its affinity with Romanticism and the celebration of the imagination. It looked back, too, to the pre-rational era of medievalism, celebrating motifs such as the castle, magic, and the supernatural, often framed within the literary device of the narrative journey of discovery, frequented by unnatural events and as exemplified in the writings of Ann Radcliffe and Matthew Lewis. This chapter finds its focus in the writings of three women: Ithell Colquhoun’s Goose of Hermogenes (1961), an alchemical-erotic journey of self-discovery; Valentine Penrose’s Erzsébet Báthory: La comtesse sanglante (1962), a poetic reinterpretation of a woman whose bloody career ended with her immurement in her own castle; and the poet Joyce Mansour’s Les gisants satisfaits (1958), a savagely erotic reworking of the trope of the persecuted woman. All three focus on the expression of the experience of the female body, with a particular emphasis upon the sensory in the work of Penrose and Mansour, while Colquhoun’s concern lies ultimately in spiritual development. All three refigure the model of the Gothic in post-war surrealist writing.

Can we 'see' photons, black holes, curved spacetime, quantum jumps, the expansion of the universe, or quanta of space? Physics challenges appearances, showing convincingly that our everyday vision of reality is limited, approximate and badly incomplete. Established theories such as quantum theory and general relativity and investigations like loop quantum gravity have a reputation of obscurity. Many suggest that science is forcing us into a counterintuitive and purely mathematical understanding of reality. I disagree. I think that there is a visionary core at the root of the best science. Where 'visionary' truly means formed by visual images. Our mind, even when dealing with abstract and difficult notions, relies on images, metaphors and, ultimately, vision. Contrary to what is sometimes claimed, science is not just about making predictions: it is about understanding, and, for this, developing new eyes to see. I shall illustrate this point with some concrete cases, including the birth of quantum theory in Einstein’s intuition, curved spacetimes and quanta of space.