An extended homily or meditation that focuses on some aspects of the life and work of Percy Dearmer. Dearmer, in his pastoral attentiveness, irenic prophetic action, and practical Christianity, sought to continue a distinctive English Anglican tradition of faithfully fulfilling his vocation through a richly incarnational ministry.

While Percy Dearmer’s influence on Anglican liturgy through The Parson’s Handbook and The English Hymnal are well known, his lectures on The Art of Public Worship, given in 1919 when he was visiting professor at Berkeley Divinity School in Connecticut, USA, introduce a different phase of his liturgical thought. A new emphasis on modernizing language, brevity of form, and alternative forms of worship would later have expression in England via his association with the Guildhouse in London, and in the hymnal Songs of Praise. Comparing The Art of Public Worship with the later Prayer Book Interleaves by Berkeley Divinity School’s Dean William Palmer Ladd leads to the suggestion that this ‘second Dearmer’ also had an afterlife in the American liturgical movement.

The thought of Percy Dearmer was related to that of Augustus Pugin and Daniel Rock, Roman Catholics seeking to revive English medieval forms, and to his Anglican near-contemporaries Conrad Noel and William Palmer Ladd. In England, Noel was more ideologically committed than Dearmer and his imagined medieval society and the English Use were given applied expression at Thaxted. In the USA, William Palmer Ladd was a congenial colleague to Dearmer but his liturgical ideals were of the 1930s, and not an outcome of the nineteenth-century English ritual controversies. Dearmer, Ladd and Noel were all grounded in what has been called Sacramental Socialism, which saw a unity between the Eucharist, the corporate church, and its mission as part of the Kingdom of God.

Percy Dearmer’s time as a visiting lecturer at Berkeley Divinity School in Connecticut, USA, at the invitation of Dean William Palmer Ladd, from July 1918 to February 1919, marked a turning point in his life and career. As author of The Parson’s Handbook (1899) and Vicar of St Mary’s Primrose Hill (1901–1915), he was immersed in the Church of England. From 1919, when he left Berkeley Divinity School, with no offer of a clergy post until 1931, he worked on the margins of the church as a university lecturer, writer, and co-director of an experimental worshipping community. The experiences he had between 1915 and 1919 shaped this ‘second’ Dearmer: loss in the war; a second wife and new family; work with the YMCA in France and India; travels in the Anglican Communion and, not least, time at Berkeley where he consolidated these experiences, becoming attuned to those who wanted a spiritual life but were disillusioned by institutional religion, as expressed in The Art of Worship (1919).