In this article, we argue that the low-tech narrative redefined by a French low-tech movement in recent years can be considered as a legitimate research object for design research. Based on the French low-tech movement's literature, we present the definitions of the low-tech concept as an approach driven by principles and highlight two theorical limitations of this type of definition. Based on a value-sensitive design approach, we present transdisciplinary research results through a value-driven low-tech model and discussed its limitations and possible use as a tool for engineers.

In a recent refreshing paper, Cowie (2022, The Philosophical Quarterly) analyses the hypothesis of artificial origin of the mysterious interstellar object 1I/2017 U1 ʻOumuamua, as well as the wider question of justification of the artefactual origin explanation for anomalous astronomical phenomena. This highly commendable philosophical project should be further developed in order to establish more general methodology for dealing with traces and manifestations of extraterrestrial intentional actors. In the present note, I demonstrate a couple of weaknesses of the standard account, mainly dealing with philosophy of technology, and suggest ways of improving upon it.

The global food system exhibits dizzying complexity, with interaction among social, economic, biological, and technological factors. Opposition to the first generation of plants and animals transformed through rDNA-enabled gene transfer (so-called GMOs) has been a signature episode in resistance to the forces of industrialization and globalization in the food system. Yet agricultural scientists continue to tout gene technology as an essential component in meeting future global food needs. An ethical analysis of the debate over gene technologies reveals the details that matter. On the one hand, alternative regimes for institutionalizing gene technology (through regulation, trade policy, and intellectual property law) could mitigate injustices suffered by politically marginalized and economically disadvantaged actors in the food system, especially smallholding farmers in less industrialized economies. On the other hand, GMO opposition has been singularly effective in mobilizing citizens of affluent countries against policies and practices that lie at the heart of these same injustices. As part of the roundtable, “Ethics and the Future of the Global Food System,” this essay argues that charting a middle course that realizes the benefits of gene technology while blocking its use in the perpetration of unjust harms may require a more detailed grasp of intricacies in the food system than even motivated bystanders are willing to develop.

Many scholars agree that the Internet plays a pivotal role in self-radicalization, which can lead to behaviors ranging from lone-wolf terrorism to participation in white nationalist rallies to mundane bigotry and voting for extremist candidates. However, the mechanisms by which the Internet facilitates self-radicalization are disputed; some fault the individuals who end up self-radicalized, while others lay the blame on the technology itself. In this paper, we explore the role played by technological design decisions in online self-radicalization in its myriad guises, encompassing extreme as well as more mundane forms. We begin by characterizing the phenomenon of technological seduction. Next, we distinguish between top-down seduction and bottom-up seduction. We then situate both forms of technological seduction within the theoretical model of dynamical systems theory. We conclude by articulating strategies for combating online self-radicalization.

Dance artists often suggest that working with interactive technology can produce the experience of bi-directionality in which the performer is perceptually aware of the manner in which movement directly produces changes in the performance environment. In addition, it is suggested that the performer can also become aware of the manner in which the technologies affect the dancer's performance. Drawing on phenomenology, some have argued that experiences of bi-directionality call for a reconsideration of the manner in which the moving body interacts with technological devices. I draw on Albert Borgmann's philosophy of technology to examine this approach and argue that it overlooks important issues concerning contextuality and the nature of the technological devices that are utilized in interactive performance.