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I loathe everything to do with The People,’ writes Callimachus, and this (public) turning away from the public poetry of the fifth century is a stance, a gesture, repeated in a multiformity of guises throughout the texts of the Hellenistic period. Although the practices of literary production, performance and circulation are known in even less detail for this period than for the fifth century (and many questions about, say, the constitution of the public of Hellenistic literature are simply not answerable with any security), none the less there are much-discussed and highly significant shifts both in the conditions of literary production and in the presentation of the poet’s voice which require some brief introductory remarks.
The pattern of the great Hellenistic kingdoms was fixed, under the three dynasties: the Ptolemaic, the Seleucid and the Antigonid, which were to preside over their destinies until their respective ends. Having narrowly escaped from the massacre of Ipsus, Demetrius Poliorcetes had hurled himself at Ephesus: he had to keep control of the sea. The occupation of the northern half of Macedonia in 288/7 expense of Demetrius, had further increased the importance of Lysimachus' state, and its ruler might well have seemed to have a chance of achieving what the Antigonids had attempted in vain, if not the re-establishment of Alexander's empire, at least a kingdom centred on the Aegean sea with all the coasts held by the same sovereign. The European Greek cities were broadly sympathetic to Lysimachus from hatred of the Antigonids, since Gonatas still held Corinth, Piraeus, Chalcis and some other towns, mainly in the Peloponnese.
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