We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure no-reply@cambridge.org
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
This chapter traces the history of Christian poetry in Old Norse-Icelandic from the tenth century to the fourteenth century. Beginning with Hallfreðr Óttarsson, it describes how poets began to incorporate Christian material into their verse during the conversion period in Norway, avoiding pagan imagery and developing new kennings for Christian concepts. It then discusses poetry composed by Icelandic skalds in praise of St Óláfr Haraldsson and his successors, including Einarr Skúlason’s twelfth-century poem Geisli. From the twelfth century onwards the body of Christian poetry is sizeable, and this chapter sets such important works as Harmsól, Sólarljóð and Lilja in the context of this developing poetic tradition. It also outlines the history of Old Norse-Icelandic poetry dealing with saints, including the Virgin Mary, apostles and virgin martyrs. It is suggested that the composition of poems on Christian subjects in praise of God, Christ and the saints was a continuation of the pre-Christian encomiastic tradition, with appropriate modifications of subjects, style and metres.
Recommend this
Email your librarian or administrator to recommend adding this to your organisation's collection.