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The development of linguistic thought in the second part of the eighteenth century is examined from two perspectives, anthropological and epistemological. The author shows that the sensualist tenet that linguistic signs have a formative influence on thought gradually lost ground. For Rousseau, following (and criticizing) Condillac, language is a key to the evolution of society and owes its genesis to social factors (needs and passions) and natural causes. Their intensity leads to different language types and means of cognition. In this context. various questions proposed for the Berlin Prize dealt with language (cf. essays by Michaelis, Süßmilch, Herder). The ideologues continued Condillac’s epistemological legacy and sought to provide education in proper thinking, by analyzing ideas with the aid of linguistic signs. However, some ideologues revised/limited the cognitive function of language (‘desemiotization’ of linguistic theory). Maine de Biran stressed the value of inner life against external sense experience (activity vs. sensitivity dualism). Other approaches to language study are considered: the Scottish school and Reid’s ‘common sense’ theory; Schlegel’s views on philology as art, language genesis, and the organic character of inflected languages. Kant’s transcendentalism questions the prevalent cognitive model and omits language altogether (vs. non-verbal categories) for the validation of truth.
This book re-assesses Dickinson's manuscripts, style, and statements to arrive at a historically appropriate conception of poetics. It compares her composition practices, such as variant generation and writing on already-marked scraps, with those of her peers in nineteenth-century American popular manuscript culture, tracing them to the pervasive influence of Scottish Common Sense philosophy, Hume's scepticism, and associationism in philosophy of mind and early neuroscience. The argument consults the archives and considers Dickinson's reading, in and out of school, in philosophy, rhetoric, and semiotic theory, as well as her training in inductive science and her familiarity with ideas about electricity, evolution, emotion, sympathy, and the brain. Combining close readings of poems with contextualizing information about contemporary conflicts in intellectual history, the book contends that Dickinson takes the making of poems to be her philosophical praxis. It depicts a Dickinson committed to thinking about the physical constitution of human consciousness and the historicity and materiality of one of its chief modes, language.
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