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Antioch in Syria critically reassesses this ancient city from its Seleucid foundation into Late Antiquity. Although Antioch's prominence is famous, Kristina M. Neumann newly exposes the gradations of imperial power and local agency mediated within its walls through a comprehensive study of the coins minted there and excavated throughout the Mediterranean and Middle East. Patterns revealed through digital mapping and Exploratory Data Analysis serve as a significant index of spatial politics and the policies of the different authorities making use of the city. Evaluating the coins against other historical material reveals that Antioch's status was not fixed, nor the people passive pawns for external powers. Instead, as imperial governments capitalised upon Antioch's location and amenities, the citizens developed in their own distinct identities and agency. Antioch of the Antiochians must therefore be elevated from traditional narratives and static characterisations, being studied and celebrated for the dynamic polis it was.
Darius I overcame rebellions and seized the throne of Babylon, but cuneiform scholarship continued and developed; religious practices did not change, nor did the great buildings on the citadel. The zodiac scheme came into use. The Achaemenid king took Babylonian royal titles and promoted the worship of Marduk for local purposes. Xerxes broke the continuity. Following an uprising, a purge led to the ending of many archives. The province of Babylon was divided in two. Subsequent Achaemenid kings continued to treat Babylon with reverence. Alexander the Great defeated Darius III, entered Babylon, retained the Persian satrap, and moved treasure from Susa and Ecbatana to Babylon. He was recognized as a god. Lack of sons at his premature death precipitated a civil war from which Alexander’s commander Seleucus emerged to take the throne jointly with his son Antiochus. The derelict ziggurat was demolished, but temples and rituals, chronicles and astronomical diaries, continued as before. Aramaic was widely used, and fewer texts were inscribed in cuneiform. Interest in the fall of Assyria and of the Babylonian empire is apparent in Greek literature. Famous scholars include Berossus and named astronomers. Parthians invaded and eventually ended the dynasty.
In this volume, Stephanie M. Langin-Hooper investigates the impact of Greek art on the miniature figure sculptures produced in Babylonia after the conquests of Alexander the Great. Figurines in Hellenistic Babylonia were used as agents of social change, by visually expressing and negotiating cultural differences. The scaled-down quality of figurines encouraged both visual and tactile engagement, enabling them to effectively work as non-threatening instruments of cultural blending. Reconstructing the embodied experience of miniaturization in detailed case studies, Langin-Hooper illuminates the dynamic process of combining Greek and Babylonian sculpture forms, social customs, and viewing habits into new, hybrid works of art. Her innovative focus on figurines as instruments of both personal encounter and global cultural shifts has important implications for the study of tiny objects in art history, anthropology, classics, and other disciplines.
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