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This chapter investigates the tensions between the so-called cosmopolitan and national realms in works of several writers who departed the island at various points after Cuba’s 1959 revolution, spending much of their subsequent lives in the diaspora in Mexico, Spain, Paris, or the US. Some of these writers had impactful careers in Cuban publications and institutions prior to their departure. Through close readings of the fiction of Nivaria Tejera, Julieta Campos, Severo Sarduy, Antonio Benítez Rojo, Jesús Díaz, and Eliseo Alberto, the chapter unpacks the heterogenous travelers’ gazes and experiences that frame Cuban history, literature, and identity at the end of the twentieth and the beginning of the twenty-first centuries.
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