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The relation between Britten’s sexuality and his music has been an abiding fascination for biographers and music scholars in recent decades. The fact that homosexuality was illegal in the UK until 1967, and that he and his long-term partner, Peter Pears, therefore had to live a homosexual life as an ‘open secret’ for most of their lives, often lends this critical emphasis a kind of heroic poignancy. This chapter contrasts Britten and Pears’s upper-middle-class experience of forbidden sexuality with that of the overwhelming majority of twentieth-century British men and women, to paint a more rounded picture of the politics of the closet. It shows how early twenty-first-century ideas about sexual ‘identity’ obscure the differences between class experience, and distort our understanding of the issue.
This book focuses on the socio-political environment that allows for the impactful work of NGOs through their proximity to local communities. The book showcases how this space has helped South African women's rights NGOs to bring about crucial legal reforms, which are quite relevant to women's lived realities. Recognizing its limitations, the South African state encourages NGOs to work freely on the ground and with state institutions to ameliorate the conditions for women's rights. The outcome of this state-NGO dynamic can be seen in the numerous human rights gains achieved by NGOs in general, and by women's rights organizations specifically. In addition, vulnerable communities such as women living under customary law have a significantly better chance to access justice. The book then demonstrates the opposite scenario, using Egypt as a case study, where NGOs are viewed as a national threat, and consequently operate under restrictive rules.
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