We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure no-reply@cambridge.org
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
Chapter seven examines cultural production and religious institutions in seventeenth-century royal courts, both Muslim and Hindu. Beginning with art and architecture commissioned by Jahangir and Shah Jahan, we then discuss elite lifestyles of both men and women. The opulence of court life attracted international visitors and led to cultural exchange leading to the introduction of chilis and other American plants. Next we examine non-Mughal cultural production in Rajput kingdoms whose attitudes toward the Mughals varied. Lifestyles of elite Rajput and Nayaka women are examined next, before we consider the courtly skills and sciences, such as letter-writing and astrology, that were admired in the Deccan sultanates, where literature with Sufi themes flourished. Royal patronage of three religious sites concludes the chapter.
When Jahangir died Khan Jahan Lodi made the mistake of rebuffing an overture from Shah Jahan for support in the succession. His severed head went south to Shah Jahan who received his trophy in a pleasure boat on the Tapti river at Burhanpur. Shah Jahan's confident sense of Mughal grandeur found creative expression in monumental building at various scales. His first commissioned work, the Peacock Throne, set the tone for a new era of ceremonial display. The Taj Mahal was his second larger project, one which has been greatly admired as one of the triumphs of monumental building in world history. Shahjahanabad was his third project, which was a carefully designed courtly city. In 1648, Shah Jahan moved his court, army and household to the newly completed imperial capital, Shahjahanabad, at Delhi. By the end of Shah Jahan's reign, however the empire was moving towards its greatest political crisis.
Recommend this
Email your librarian or administrator to recommend adding this to your organisation's collection.