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Shows how the Museum of the Bible produces a bible resistant to moral critique, particularly when it comes to racism, slavery, and civil rights in US history. Argues that the museum’s exhibits engage in selective history-telling and other techniques to protect the Bible from complicity in societal harms and to frame the Christian Bible as in indispensable ally for progress. The museum’s bible participates in the constructions of Christian cultural heritage narratives and Christian nationalism in the United States.
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