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Both the Affiches Américaines and the Journal de Saint-Domingue encouraged White male colonists to consider themselves “enlightened” “American” citizens devoted to advancing the public good through reasonable means. This chapter focuses on the Affiches, which flourished into the revolutionary decade of the 1790s. It situates its founding in the rise of similar metropolitan publications while showing how the colonial context informed its objectives. Like metropolitan editors, its founder Jean Monceaux was confident in the power of communication to inform and of discussion to enlighten; brought metropolitan ideas and news into the colonies; created forums for debate within it; and believed that a press served its public by furthering the collective good. Constrained by official censorship, the Affiches nevertheless expressed colonial discontent with the postwar order by publishing extensively on the British Stamp Act Crisis. In the process, it exposed readers to a robust assertion of colonial “rights” in the face of metropolitan “tyranny” and implicitly connected Saint-Domingue’s political troubles with that of British North America and the Brittany Affair in France.
The story of poetry in the time of the American Revolution is a story of the interaction between manuscript, print, and oral culture. From the Stamp Act crisis through the Revolutionary War, colonists used poetry to vent their anger, express their political beliefs, and articulate the principles that defined the new nation. Many women began writing poetry during the Revolutionary era. Boston historian and playwright Mercy Otis Warren is one of the best known female poets of the time. Throughout the eighteenth century, many readers considered Milton's biblical epic Paradise Lost the single greatest poem in the English language. The long poem has become one of the defining features of American poetry, as Walt Whitman's Song of Myself and Herman Melville'sClarel testify. Even the poets Harriet Monroe championed in Poetry turned to long poems to prove their poetic mettle.
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