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1 results

  • Coda: Tom Murphy and Brian Friel

  • from Part II - Spaces
  • Edited by Eric Falci, University of California, Berkeley, Paige Reynolds, College of the Holy Cross, Massachusetts
  • Book:
    Irish Literature in Transition: 1980–2020
    Published online:
    28 February 2020
    Print publication:
    12 March 2020, pp 201-208

  • Summary

    This coda places Brian Friel and Tom Murphy in dialogue in order to identify important distinctions and resemblances between two of Ireland’s most important playwrights. Friel is frequently considered more accessible but also more conservative; Murphy is generally described as being more bleak and also more innovative. The article acknowledges and explains the partial validity of those evaluations but also demonstrates their limitations, pointing to examples of Friel’s engagement in experimental practice as well as Murphy’s occasional fidelity to conservative forms (such as tragedy) and tropes (such as the Irish country kitchen). It also points to important overlaps in their interaction with key companies such as Field Day and Druid Theatre. It concludes that Murphy and Friel have more in common than is realised, and that those resemblances can be seen as evidence of a dialogic relationship, whereby the innovations of one opened up new pathways for the other.