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In this ground-breaking study, Robin Baker investigates the contribution ancient Mesopotamian theology made to the origins of Christianity. Drawing on a formidable range of primary sources, Baker's conclusions challenge the widely held opinion that the theological imprint of Babylonia and Assyria on the New Testament is minimal, and what Mesopotamian legacy it contains was mediated by the Hebrew Bible and ancient Jewish sources. After evaluating and substantially supplementing previous research on this mediation, Baker demonstrates significant direct Mesopotamian influence on the New Testament presentation of Jesus and particularly the character of his kingship. He also identifies likely channels of transmission. Baker documents substantial differences among New Testament authors in borrowing Mesopotamian conceptions to formulate their Christology. This monograph is an essential resource for specialists and students of the New Testament as well as for scholars interested in religious transmission in the ancient Near East and the afterlife of Mesopotamian culture.
Perhaps no other twentieth-century composer can match Igor Stravinsky in the sheer complexity of the legal and material sides of his oeuvre and posthumous estate. Given the political turmoil in the first half of the century and the chequered histories of his publishers, even the safeguarding of his author’s rights was a nerve-racking affair. Then came the gifts, loans and sales of his manuscripts, his multiple emigrations and his tortuous family situation. All these factors, taken together, make a complete overview of the sources and far-flung documents wholly impossible, though in some cases they provide material for exciting stories.
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