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This chapter provides a fresh, detailed and historicised account of ‘high’ Modernism and its relationship to the Gothic, c.1910–1936. It explores the various ways in which Modernist theories of the aesthetic – the novel, the short story, Imagist poetry – shaped Gothic Modernist representations. Many Modernists overtly despised dark Romanticism – Wyndham Lewis derided the ‘beastly and ridiculous spirit of Keats’ lines’ and Virginia Woolf was quick to dismiss ‘the skull-headed lady’ of the Gothic Romance. Instead, their work privileges an aesthetics of finitude and inference over any use of overtly supernatural machinery. ‘Modern’ accounts of psychology shape these representations of anxiety and entrapment but so, too, do authorial theories of the aesthetic. By reading the work of a range of important Modernist contributors, including Virginia Woolf, James Joyce, E. M. Forster and May Sinclair, this chapter suggests that the most enduring examples of Modernist Gothic are found in the mode’s representations of haunting, the unconscious and the dead.
Anarchists who supported the Cuban War for Independence in the 1890s launched a transnational network linking radical leftists from their revolutionary hub in Havana, Cuba to South Florida, Puerto Rico, Panama, the Panama Canal Zone, and beyond. Over three decades, anarchists migrated around the Caribbean and back and forth to the US, printed fiction and poetry promoting their projects, transferred money and information across political borders for a variety of causes, and attacked (verbally and physically) the expansion of US imperialism in the 'American Mediterranean'. In response, US security officials forged their own transnational anti-anarchist campaigns with officials across the Caribbean. In this sweeping new history, Kirwin R. Shaffer brings together research in anarchist politics, transnational networks, radical journalism and migration studies to illustrate how men and women throughout the Caribbean basin and beyond sought to shape a counter-globalization initiative to challenge the emergence of modern capitalism and US foreign policy whilst rejecting nationalist projects and Marxist state socialism.
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