The fifth chapter examines how Ireland’s status as the bridgehead between Georgian Britain and Mughal India is also reflected in London performance venues dominated by women. I frame this transnational connection from the jaded viewpoint of Bengal ex-captain Thomas Williamson, who lambasts Abu Taleb Khan as an effeminate poser for bragging about his romantic intimacy with English noblewomen. Indeed, the Indo-Persian’s travelogue, Persian poems on London, the Diwan-i-Talib, and his essay “Vindication of the Liberties of the Asiatic Women” (printed in 1801 in European periodicals) was forged in two overlapping spaces of female sociability: the salon of the Duchess of Devonshire Georgiana Spencer, a politically outspoken socialite, and the London playhouses where star actresses ravished the Indian spectator with their professional artistry. Both spaces recall the skilled courtesans he would have known in Lucknow, mainly their perceived ability to debauch men. His subtle critique of elite British theatergoers who indulge in such impropriety aligns the feminized imperial capital with Persianate court rituals, panicking racist chauvinists like Williamson.