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Since the objective of our research is to examine the influence of the creative potential of language speakers on their creative performance in the formation and interpretation of new/potential complex words, there are several fundamental methodological principles that have to be taken into consideration. First of all is the method of measuring the creative potential of language speakers and the methods of testing their creative performance Therefore, this chapter introduces the Torrance Test of Creative Thinking, accounts for the basic characteristics of creativity indicators and subscores, and justifies its relevance to our research. Furthermore, it presents a word-formation test and a word-interpretation test and accounts for their objectives and principles of evaluation. A sample of respondents, comprising a group of secondary school students and a group of university students, is introduced. A method of evaluating the data is explained, based on the comparison of two cohorts with opposite scores. Finally, this chapter presents the hypotheses underlying our research.
There are many ways in which we, as speakers, are creative in how we form and interpret new words. Working across the interfaces of psychology, linguistics, psycholinguistics, and sociolinguistics, this book presents cutting-edge interdisciplinary research, showing how we manipulate the range of linguistic tools at our disposal to create an infinite range of words and meanings. It provides both a theoretical account of creativity in word-formation and word-interpretation, and an experimental framework with the corresponding results obtained from more than seven hundred participants. Data drawn from this vast range of speakers shows how creativity varies across gender and age, and demonstrates the complexity of relationships between the examined variables. Pioneering in its scope, this volume will pave the way for a brand new area of research in the formation and interpretation of complex words.
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