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The diametrically opposed outcomes of the Reformation in England and France have led historians to presume that there were significant differences in their religious situations before the Reformation that help account for that ultimate divergence. This chapter argues that any such presumption is wide of the mark. Not only were the supposed ‘preconditions’ for the success of the Reformation in England (such as Renaissance humanism, anticlericalism and church-state tension) more evident in France, but the early diffusion of Reformation teachings was swifter and more widespread there as well. Although in the second quarter of the sixteenth century the Reformation received increasing royal support in England but not in France, that early progress was insecure and was briefly reversed. Decisive divergence between the two realms in this regard began only around 1560, and in each of them the outcome might still have been different under other circumstances. The ultimate outcomes reflected the interplay of political contingency with pre-existing differences not in religious experience but in political structures and political culture, which put the English monarchy in a position to impose its will upon the English nation, but left the French monarchy less able not only to impose change but also to suppress it.
The Element analyses the critical importance of elite women to the conflict conventionally known as the Italian Wars that engulfed much of Europe and the Mediterranean between 1494 and 1559. Through its considered attention to the interventions of women connected to imperial, royal and princely dynasties, the authors show the breadth and depth of the opportunities, roles, impact, and influence that certain women had to shape the course of the conflict in both wartime activities and in peace-making. The work thus expands the ways in which the authors can think about women's participation in war and politics. It makes use of a wide range of sources such as literature, art and material culture, as well as more conventional text forms. Women's voices and actions are prioritized in making sense of evidence and claims about their activities.
This volume is the first to consider the golden century of Gothic ivory sculpture (1230-1330) in its material, theological, and artistic contexts. Providing a range of new sources and interpretations, Sarah Guérin charts the progressive development and deepening of material resonances expressed in these small-scale carvings. Guérin traces the journey of ivory tusks, from the intercontinental trade routes that delivered ivory tusks to northern Europe, to the workbenches of specialist artisans in medieval Paris, and, ultimately, the altars and private chapels in which these objects were venerated. She also studies the rich social lives and uses of a diverse range of art works fashioned from ivory, including standalone statuettes, diptychs, tabernacles, and altarpieces. Offering new insights into the resonances that ivory sculpture held for their makers and viewers, Guérin's study contributes to our understanding of the history of materials, craft, and later medieval devotional practices.