Frederik Van Dam argues that the conceptualisation of new, ethical forms of cosmopolitanism in the 1850s is apparent in the informal diplomatic practices of Richard Monckton Milnes, an unduly neglected figure who was central to the literary world of the decade. Milnes’s ‘diplomatic cosmopolitanism’ found expression in his bibliophile activities as well as in his engagement with the legacy of European Romanticism, as can be seen in occasional poems such as ‘A Monument for Scutari’ (1855) and in his reviews of European fiction about Bohemia. Examining how the 1850s marked a new stage in the conduct of international affairs, Van Dam considers developments in the circulation of commodities as well as the breakdown of the so-called concert of Europe. Monckton Milnes embodies the diplomatic possibilities for literature and culture on the eve of a new European order.

Examining the cultural and religious context of male homosociality and homosexuality from the time of Hopkins’s undergraduate career at Oxford and throughout his life, this chapter introduces key primary sources for considering the place of queerness in the poet’s life and work. The chapter also explores the reception of Hopkins in queer studies, and the reception of Hopkins’s queerness in Hopkins studies.

In 1889, the end of the decade in which all the major literary societies dedicated to poets were formed, Andrew Lang bemoaned their impact: ‘They all demonstrate that people have not the courage to study verse in solitude and for their proper pleasure, men and women need confederates in this adventure.’ This shift in reading practices took place during an important decade for poetry. It was the decade during which some of the era’s most renowned poets died, including Matthew Arnold, Robert Browning, and Dante Gabriel Rossetti. It was the decade in which the relevance of poetry was increasingly questioned, as vernacular English literature was being claimed as having the capacity to be studied ‘scientifically’ like its sibling rival philology. It was also the decade that witnessed extended debate over the establishment of university Chairs of English Literature. In this context, this chapter examines the establishment and overwhelming popularity of literary societies in the 1880s, tracing their movement away from the ethos of a scholarly gentleman’s club towards more democratic, inclusive and experimental literary associations that tangibly impacted the reading of poetry in the 1880s.