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Nicola Bradbury’s chapter on Henry James notices the force that comes from simple diction even as it expresses subtle, complicated thoughts, feelings and occasions in The Wings of the Dove (1902) and What Maisie Knew (1897). At times in these novels, a bold, clear style plays against the more verbose, analytical style we expect from late James. A style such as this repeatedly gestures towards an apprehension that is not fully expressed, something that goes behind and beyond the immediate statement. Here, style is measured at the level of the sentence and it is shown to comprise of a range of devices including alliteration, assonance, diction, syntax, rhythm, and cadence.
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