This chapter argues that young adult (YA) fiction is, fundamentally, utopian in the broadest sense, given that it is produced for the consumption of adolescent and young adult readers who are looking for guidance or entertainment in the pursuit of their own better futures. At times, though, such work also engages larger questions that exceed the limited purview of individual self-betterment and that approach concerns about the proper – and better – organization and maintenance of society. Specifically, such work seems at times actively to theorize the cultivation of hope as a practice, even a method. This chapter examines how YA fiction engages hope as a method in three distinct modes: through critical dystopias, in failed or problematic utopias, and in utopias in process.

Children’s and Young Adult Fiction has slowly emerged since the 1970s as a significant presence in Caribbean writing, although it still constitutes an understudied group of texts and has received comparatively little critical attention from scholars and critics. This essay explores how Caribbean Children’s and Young Adult Fiction draws on Afro- and Indo-Caribbean oral traditions and folklore whilst also exploring contemporary cultural issues such as sexuality and body-image as it approaches questions around Caribbean cultural identity with different perspectives, purposes and poetics. Collectively, these works have provided an important space through which to revisit history, either to tell stories that have been left out of the official record or to retell grand historical narratives (colonial and national) from other perspectives. The presence and centrality of child narrators has been a marked feature, and their voices are frequently deployed to critique and provide fresh commentary on established narratives, historical reasonings and social questions.