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2 results

  • 4 - Aestheticization of Politics

  • Yafa Shanneik, University of Birmingham
  • Book:
    The Art of Resistance in Islam
    Published online:
    06 January 2022
    Print publication:
    20 January 2022, pp 128-152

  • Summary

    Chapter 4 focuses on the controversial practice of (self-)flagellation (tatbir), which involves using swords and knives to cut the body. This highly controversial ritual practice, which is traditionally performed by men, is increasingly practiced by Shirazi Shi‘i women. Shirazi Shi‘i women in London claim that they initiated this practice among women for the first time in 2007, which has influenced and inspired other Shi‘i women to practice tatbir in other European countries and in the Middle East, including Kuwait and recently Bahrain. The chapter examines to what extent the increasing number of women performing tatbir in Europe can be regarded as a form of female religious empowerment, thus influencing the gender dynamics within Shi‘i ritual practices not only in London but also among other Shi‘i communities in other European countries and in the Middle East.

Mussolini's Theatre
  • Fascist Experiments in Art and Politics
  • Patricia Gaborik
  • Published online:
    15 April 2021
    Print publication:
    06 May 2021
  • Benito Mussolini has persistently been described as an 'actor' – and also as a master of illusions. In her vividly narrated account of the Italian dictator's relationship with the theatre, Patricia Gaborik discards any metaphorical notions of Il Duce as a performer and instead tells the story of his life as literal spectator, critic, impresario, dramatist and censor of the stage. Discussing the ways in which the autarch's personal tastes and convictions shaped, in fascist Italy, theatrical programming, she explores Mussolini's most significant dramatic influences, his association with important figures such as Luigi Pirandello, Gabriele D'Annunzio and George Bernard Shaw, his oversight of stage censorship, and his forays into playwriting. By focusing on its subject's manoeuvres in the theatre, and manipulation of theatrical ideas, this consistently illuminating book transforms our understandings of fascism as a whole. It will have strong appeal to readers in both theatre studies and modern Italian history.