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This chapter bridges the gap between the disappearance of the Hellenistic artists’ associations in the first century bc and the emergence of the ecumenical synods at the end of that century. It begins with a discussion of the first attestations of the ecumenical synods. The ecumenical athletes’ association is first attested in a letter by Mark Antony from the 40s or 30s bc. The first clear evidence of the ecumenical synod of artists dates only from the reign of Claudius (AD 41-54), but there are indications that the artists were already banding together on a transregional scale in the 30s bc. Next, this chapter seeks to explain the emergence of the synods by looking at the broader context of Mediterranean integration. It argues that the synods’ emergence was connected to the development of an 'international' festival network, which was in turn made possible by the Roman unification of the Mediterranean. Moreover, it appears that the Roman takeover in the east created the right conditions for the establishment of associations that transcended the polis framework. Especially the province of Asia seems to have provided fertile soil for experimenting with new organisational forms.
This chapter analyses how the ecumenical synods contributed to the organisation of the festival network. It first discusses their involvement in the organisation of individual agones. The sources indicate that there was a broad spectrum of synod involvement: the old, well-established agones probably did not require a lot of organisational assistance, whereas the organisation of some newly founded agones was entirely outsourced to one of the synods. Between these two extremes, synod involvement varied according to specific circumstances. Second, this chapter investigates how the synods helped maintain the festival network as a whole. Due to the combined experiences of their travelling members, they had a unique overview of the agonistic circuits and as such could provide valuable input when the festival calendar was reformed. Communication went the other way around as well: for instance, they communicated changes in schedules and imperial decisions to their members. In sum, the synods were the lubricant that kept the agonistic machine running. The synods were thus not simply a by-product of the ‘agonistic explosion’ of the Principate but rather a key factor that made it possible.
This chapter studies the decline and disappearance of the ecumenical synods in late antiquity. As agonistic festivals were the raison d’être of the ecumenical synods, their fate was intertwined with that of the agonistic network. The fourth century ad saw a gradual unravelling of the festival circuit, due to financial problems, socio-political changes in the Greek poleis and changing mentalities and habits. As a result, evidence on the ecumenical synods declines sharply from the late third century on. Important sources discussed here are a tetrarchic rescript on the privileges of competitors, issued in response to a request of the two synods, and a long and complex inscription from ad 313 that was erected in the xystic synod’s headquarters and dealt with a donation by a rich family. This chapter refutes the opinion of some earlier scholars who argue that the synods were absorbed by the circus factions. Rather, it appears that they remained tied to the world of traditional Greek agonistics and that they disbanded when the last of the important Greek agones ceased to be held, that is by the 420s ad at the latest.
This chapter investigates the development of the ecumenical synods in the first century ad, first discussing the xystic synod of athletes and then the thymelic synod of artists. After giving an overview of earlier scholarly opinions on their development, this chapter discusses the evidence from a new perspective. It argues, for instance, that there had been only one athletic synod all along, rather than two athletic synods that eventually merged. As for the thymelic synod of artists, it is clear that it was already fully formed and functional in the first century ad, which opposes the interpretation of some scholars who date its definitive formation about a century later. All in all, the sources indicate that the synods gradually strengthened and expanded their role in the festival world throughout the first century ad and that this evolution gained momentum in the reign of Claudius (AD 41–54).
The conclusion comes back to the main findings of the different chapters. Taken as a whole, this book rehabilitates the ecumenical synods of competitors as prominent actors in the Graeco-Roman society. They shaped its socio-cultural life, reconciled Greek traditions with Roman rule and contributed to the remarkable cultural unification of the Mediterranean in that period.
This chapter studies the presence and the activities of the ecumenical synods throughout the Roman empire during the second and third centuries ad, the heyday of Greek agonistic culture. First, it discusses synod presence in the core regions of the agonistic circuit by following in the footsteps of one of the greatest athletes of antiquity, the pankratiast M. Aurelius Asklepiades, who won almost all of the important agones in Italy, Greece and western Asia Minor. Next, the chapter moves to the more peripheral regions of the agonistic world: the circuits in the interior of Asia Minor, Syria, Egypt, the Balkans and Gallia Narbonensis. From this geographical overview a picture emerges of two interconnected phenomena: the expansion of the agonistic network and the growing reach of the ecumenical synods. Moreover, throughout the agonistic world the two synods reveal a remarkable uniformity and a high degree of mobility. These observations form the basis of the discussion in Chapter 7.
This is the first comprehensive study of the associations of athletes and artists in the Roman empire. The xystic synod of athletes and the thymelic synod of artists were the only ancient associations that operated on a pan-Mediterranean scale. They were active from southern Gaul to Syria and Egypt and were therefore styled 'ecumenical synods'. They played a key role in Greek festival culture during the imperial period: not only did they defend the professional interests of their members, they also contributed to the organisation of competitions and the maintenance of the festival network. Due to their cultural activities, their connections with the imperial court and their ramified social networks, they left a distinctive stamp on Greco-Roman elite culture during the Principate. Drawing on all available documentation, this book offers new insights into the history and workings of these remarkable associations.
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