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1 results

  • Introduction

  • Carolyn Laferrière, Princeton University Art Museum, New Jersey
  • Book:
    Divine Music in Archaic and Classical Greek Art
    Published online:
    01 February 2024
    Print publication:
    29 February 2024, pp 1-29

  • Summary

    The introduction establishes the characteristics of divine music. Noting the discrepancies between the visual and literary accounts of the gods and the variability in the instruments with which they choose to perform, Laferrière argues that the gods’ active use of their instruments lends a sonic quality to their representation. In demarcating divine music-making as distinct from human musical practices, she shows that these images require a correspondingly distinct mode of interpretation and analysis, since the scenes feature musical performances that are undertaken outside the human world.