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Drawing on the burgeoning scholarship on the Global 1960s, this chapter argues that the Vietnam War was a key historic event that internationalized radical social movements. The war did so in three main ways. First, through the conflict, activists in different parts of the world formed a global public sphere. Opposition to the war helped to transcend Cold War and colonial divisions, but the political movements that emerged resonated differently through various parts of the First, Second, and Third Worlds. Second, resistance against the Vietnam War fostered internationalism by foregrounding the agency of the marginalized. The war featured a David versus Goliath competition between a presumably backward, peasant society against the mightiest military in the world. Third, the wars in Southeast Asia helped to internationalize antiwar resistance by illuminating the interconnectedness of various systems of inequality. Imperialism and colonization became part of the activist lexicon, utilized to interpret cultural, racial, class, gender, and other forms of exploitation. The chapter concludes by reflecting on the agency of the Democratic Republic of Vietnam and the National Liberation Front in consciously cultivating these antiwar internationalist affiliates.
Nineteen sixty-eight was an exceptional year in which people across the world mobilized in protest against imperialism, authoritarianism, and Cold War hegemony. The “Global 1968” has come to represent an era of social and political transformation, and its meaning has been debated into the twenty-first century. This chapter provides an overview of two major events that challenged the bipolar world order in 1968 – the Tet Offensive and the Prague Spring – and explores how the Vietnam War and Vietnamese people influenced protest movements around the world in this historic year. The Vietnamese communist revolution became a global symbol of anti-imperialism and Third World self determination, while South Vietnamese dissidents carried out protests for freedom and democracy that mirrored uprisings in other parts of the world.
The connection between literature about war and humanitarianism is complex. The war novel tends towards a human rights ethos that demands accountability for war atrocities. These novels express antiwar views, whereas humanitarianism’s genealogy in the laws of war reflects an acceptance of war as inevitable. Humanitarian discourse deploys a narrative paradigm that sees human suffering in war through trauma. In fiction, it frequently foregrounds the role of doctors and nurses as witnesses to war’s suffering. The resulting attention to victims’ disempowerment effectively reinforces the global inequality of lives and is problematic. This chapter argues that postcolonial literature of war offers a counterwitnessing that exceeds the affective accounts of trauma narratives and foregrounds the breach in humanitarianism’s imperative to save lives. Postcolonial literature’s critical engagement with war centers on the achievement of radical equality and visibility of all lives.
This essay explores women’s antiwar activism in New York, California, and Kansas demonstrating the national breadth and regional diversity of pacifist and peace organizing. The essay identifies some of the individual women who raised their voices and pens against the war and includes some of the antiwar and pacifist organizations women created or joined including the Woman’s Peace Party, the People’s Council, and the Union Against Militarism. It argues that women of the First World War peace movement linked state-sanctioned violence in war with state-sanctioned violence against women, children, and the poor. Women thus contributed to the process by which the peace movement transitioned from defining peace as the absence of war to defining peace as the presence of social, economic, and political justice.
In the years of and around the First World War, American poets, fiction writers, and dramatists came to the forefront of the international movement we call Modernism. At the same time a vast amount of non- and anti-Modernist culture was produced, mostly supporting, but also critical of, the US war effort. A History of American Literature and Culture of the First World War explores this fraught cultural moment, teasing out the multiple and intricate relationships between an insurgent Modernism, a still-powerful traditional culture, and a variety of cultural and social forces that interacted with and influenced them. Including genre studies, focused analyses of important wartime movements and groups, and broad historical assessments of the significance of the war as prosecuted by the United States on the world stage, this book presents original essays defining the state of scholarship on the American culture of the First World War.
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