The assemblage of water/watery/watering is a lively cartography of how water may be accounted for when theorising with and through environmental education research. Challenging the universalising claims of Western technoscience and the colonial logic of extraction, the article develops an alternative theoretical mapping of environmental education through engagements with Ingold’s (2007, 2012, 2015) concepts of lines, knots, and knotting. For this article and for the Special Issue in which it is housed, the concepts of such knottings are defined as an assemblage of haecceities, lived events that are looped, tethered and entangled as material and conceptual agencies that inhere within situated encounters. Thus, this article grapples with the need to account for water differently in contemporary posthuman ecologies. To overcome anthropocentric and mastery-oriented approaches, various other ways to account for water in science or environmental education will continue to come to the surface, bubbling and rushing like a waterfall as they have done in this work. Some of these will include thinking with water, which will be central to a theoretical mapping of water that seeks embrace sticky knots. The article explores a (re)turn to artful practices and encounters as spaces in which posthumanist concepts for environmental education might be cultivated.

The majority of literature about children experiencing family violence focuses on reporting ‘problems’ and highlighting detrimental outcomes for children. In contrast, there is little acknowledgement of children's personal resources and capacities in times of crisis.

This article describes a participatory arts-based research project involving 10 pre-adolescent children. The research aimed to explore children's individual resources and to highlight the value of giving voice to children through participatory processes. A collaborative songwriting method sought to co-construct knowledge with children about what helped them to ‘do well’ in their lives. An illustrative example demonstrates the collaborative process of engaging children throughout the data generation, collaborative analysis and presentation of the findings. The children described a range of resources and supports in their lives, such as friends, family, sport, pets, journaling, hope and creativity. Five themes explore the role these resources play in children's lives: seeking refuge, wanting to feel safe, hoping for a better future, feeling cared for and being self-determined. The results emphasise the ongoing need to build upon existing resources in children's lives and to support them to navigate access to additional resources. We advocate for participatory approaches that provide opportunities for children's voices to be heard, fostered and responded to.

Employing a participatory arts-based research approach, we examined an innovative program from rural Ontario, Canada, designed to address social isolation among older people. Older socially isolated adults were matched to trained volunteers, where in dyads, the eight pairs created expressive art in their home setting over the course of 10 home visits. With thematic and narrative inquiry, we analysed the experiences and perceptions of the program leader, older participants, and older volunteers via their artistic creations, weekly logs, evaluations, and field notes. The findings reveal a successful intervention that positively influenced the well-being of older adult participants and older volunteers, especially in regards to relationships, personal development, and creating meaning as well as extending the intervention’s impact beyond the program’s duration. We also discuss opportunities for similar programs to inform policy and enable positive community-based health and social service responses to rural social isolation.