Postmedieval protestant missionaries working in exotic locations used objects both as a marker of their own ‘civilisation’ in contrast to that of the local populations and as a means of engaging these communities with Christianity. European things were displayed and conspicuously used to encourage a consumer mindset and interest in capitalism, thought to be crucial steps on the path to full conversion. Excavations at a Presbyterian mission house on Tanna Island, Vanuatu, recovered a remarkable assemblage of nineteenth-century British-made transfer-printed ceramics for such a remote location. These objects reflect multiple, complex meanings including performance of a ‘civilised’ British identity, romanticized ideals of pastoral landscapes, and conceptions of death and rebirth in the afterlife. These meanings were complicated by the context of cross-cultural interactions that were necessary to the missionary project.
