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This chapter describes the music performed by upper-class diners at archaic/classical symposia as documented by literary evidence and red-figure pottery. Following a discussion of the rise of the aristocratic symposion and shifts in musical entertainment from the picture given in Homer to the period when upper-class men began singing a repertoire of elite poetry at drinking parties, the following topics are taken up: the group libation paean, scolia, elegiac verse and its performance mode, other types of sung poetry, and dance. The aim is to identify the musical rituals as precisely as possible. This prepares for a discussion in Chapter 2 of the social function of aristocratic lyrody at symposia and its historical development.
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