This article examines the twelfth-century novel Drosilla and Charikles by Niketas Eugenianos from the perspective of cognitive frames. Based on the analysis of two key passages (1.230–57 and 3.341–50), I argue that the hero recognizes himself as part of the novelistic plot. While such metanarrative features of the Komnenian novels have been recognized previously, the cognitive approach offered in this article allows for a better understanding of the narratological complexities at play in Eugenianos’ novel and in the ancient and Byzantine novelistic genre at large.
