This article argues that one way in which internally displaced persons (IDPs) and refugees from Timbuktu, Mali, negotiated and made sense of the occupation of northern Mali in 2012 and the hardships of displacement was through joking. A genre of unofficial communication, joking asserted local truths and produced counternarratives. Sharing in this humorous reproduction helped to alleviate some of the anxieties of displacement and strengthen interpersonal relationships. The result was a communitas that reproduced the local Timbuktian community in exile.

This paper examines the meaning of social dancing for older people. It is based on a one-year qualitative research project, which is seeking to explore the experiences of social dance for people aged 60 years or more who attend various dance events in Essex and south-east London. The findings suggest that the social dance experience is not only or simply a beneficial physical experience for older people, it also bestows other significant benefits for those who enter the third age and beyond. It can provide continuity within change. It offers an opportunity to be sociable and have fun in ways that both reflect, and avowedly move beyond, the dancers' teenage years. It promotes a welcome sense of a community spirit. It is a way of becoming visible and aesthetically pleasing, and it bestows a sense of worth and achievement in skills learnt through dancing. Last but not least, dancers can experience the joy of a fit and able body in both real and mythic senses.