Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
  1. Home
  2. Search

Refine search

Refine search

Access:
Content type:
Publication date:
Apply   From and To filters
Subject: Show more
Journals Show more
Publishers: Show more
Societies Show more
Series: Show more
Collections: Show more

Actions for selected content:

Select all | Deselect all
  • View selected items
  • Export citations
  • Download PDF (zip)
  • Save to Kindle
  • Save to Dropbox
  • Save to Google Drive

Save Search

You can save your searches here and later view and run them again in "My saved searches".

Please provide a title, maximum of 40 characters.
Cancel
×

1 results

  • Chapter 9 - The Macrogenesis of Ulysses and Finnegans Wake

  • from Part II - Fragment and Frame
  • Edited by Catherine Flynn, University of California, Berkeley
  • Book:
    The New Joyce Studies
    Published online:
    01 September 2022
    Print publication:
    08 September 2022, pp 138-154

  • Summary

    From its inception, genetic criticism has faced the problem of synthesis. The challenging accumulation of data has become even more pronounced since the turn of the millennium, with the unearthing of major caches of prepublication materials and the unprecedented availability of Joyce’s reading material through large-scale digitization initiatives. Genetic critics now know a great deal more both about the books that crossed Joyce’s desk and about his notetaking and drafting processes. Crowley’s chapter describes the digital means through which we can begin to aggregate genetic findings and pathways through the dossiers of Ulysses and Finnegans Wake in order to uncover broader patterns. It presents new tools of visualization that interrelate and make sense of – and make accessible – Joyce’s system of writing. These movements towards the macrogenesis of Joyce’s final two works have the potential not only to impact Joyce criticism but also to influence the procedures of literary criticism more widely.