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Informal care-givers play an important role, with health-care systems relying on the billions of hours of care they provide. Care-givers experience high levels of psychological distress and isolation; however, the efficacy of what support is the best for care-givers is unclear. The primary aim of this systematic review is to determine the effect of group creative arts interventions on informal care-givers of adults. The secondary aim is to understand the impact of group type, the primary outcomes and how they are measured. Given the heterogeneous nature of the included studies, a narrative synthesis approach was taken. Database searches identified 2,587 studies, 25 of which met the full inclusion criteria. Studies included group creative arts interventions for either care-givers only (N = 8) or for care-giver/cared-for dyads (N = 17). The majority of the participants in the studies were older Caucasian females. Group creative arts interventions are beneficial for care-givers and for the person being cared for; however, benefits differ depending on whether the group is for care-givers only or for care-giver/cared-for dyads. Future research will benefit from care-givers being involved in the design of the creative arts intervention to provide input regarding group type and relevant outcome measures. Future research should consider targeting their intervention to care-givers with a low baseline score to increase the ability of the study to demonstrate a significant difference.
The term commodification of culture is used descriptively and often critically to denote shift of cultural products from the realms of ritual and relationships to the market place. Department stores have provided the foundations for debates in a variety of historical areas, including comparative economics, gender, and architecture. From the wealth of studies on consumer society in early modern Europe it would be easy to imagine that the flourishing material and commercial culture that gave rise to the industrial revolution was unparalleled in the world, and of course it had its distinctive aspects. The agency of department stores in the commodification of the creative arts was to some degree shaped by the same national, and occasionally nationalist, circumstances that gave rise to national products campaigns. The multi-story renaissance-style buildings built to house the department stores in Japan were not untypical of global styles, monumental expression of commercial prestige in the word of Henry-Russell Hitchcock.
Other Spaces is a collaborative creative arts exhibition project that explores visual and material expressions of cultural identity with a particular focus on museum collections. This project aims to provide a rich examination – visual, emotional and intellectual – of the multiple cultural narratives that contribute to the social fabric of Australia through a unique marriage of contemporary photomedia and creative writing practice. This project explores the ways that migrants and refugees have found to express their cultural identity through the material objects they have brought with them to Australia. Many of these objects are not only of great personal value but often of cultural, historical and religious significance. Some are very ordinary everyday objects but they can be highly evocative and symbolic of the relationship between culture and identity, and between the places of origin and an individual's present home in Australia. This article, through a combination of photography, creative text and scholarly discussion, will focus specifically on Italo-Australian migrants and on some of the material objects that they have donated to museum collections, and use these objects to explore notions of cultural belonging and identity.
This bibliography presents essays on the study of post-1949 China, and the basic sources and their limitations. The former precedes several bibliographical essays on specific aspects of the People's Republic of China. It traces the evolution of scholarly writings on China by identifying the major sources on contemporary China, portraying their main limitations, and assessing the effect of the changing mix of sources available to the foreign researcher. The essay on the basic sources includes information on the Chinese press, memoirs and travelogues, creative arts, and English-language secondary literature. The Chinese press provides the staple for research on China: books, journals, and newspapers. These sources come from diverse institutions throughout the political system. The Central Committee of the Chinese Communist Party began to publish the People's Daily soon after the Party established itself in Peking, and since 1958 the Party has published Red Flag as its leading theoretical journal.
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