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In Red Zones, Marie-Eve Sylvestre, Nicholas Blomley, and Céline Bellot examine the court-imposed territorial restrictions and other bail and sentencing conditions that are increasingly issued in the context of criminal proceedings. Drawing on extensive fieldwork with legal actors in the criminal justice system, as well as those who have been subjected to court surveillance, the authors demonstrate the devastating impact these restrictions have on the marginalized populations - the homeless, drug users, sex workers and protesters - who depend on public spaces. On a broader level, the authors show how red zones, unlike better publicized forms of spatial regulation such as legislation or policing strategies, create a form of legal territorialization that threatens to invert traditional expectations of justice and reshape our understanding of criminal law and punishment.
Chapter 1 provides an introduction to red zones and other bail and sentencing conditions of release through the stories of three individuals whose lives and rights are directly affected by them. It discusses the legal context in which such conditions are embedded, details about the methodology and conceptual framework, and provides a first statement of the book’s overall argument.
Chapter 2 establishes the theoretical and conceptual grounds on which the study lies, arguing that we can usefully conceive of spatial conditions of release through the lens of critical legal geography, emphasizing the work of law in producing powerful spatiotemporal arrangements and representations that act upon the social world. Spatial conditions of release are as a form of legal territorialisation, or a strategic attempt at structuring socio-legal relations through the configuring of space and time. By territorializing a set of legal commands, legal actors aim to communicate, classify, enforce, and legitimize. Focusing on the practical work of spatial conditions of release directs us to the work they do in organizing socio-legal relations. In particular, the authors note the complex and simultaneous relational work of “cutting” and “joining” they entail.
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