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The Introduction briefly surveys the individual importance of memory studies and death studies in the lives, literature, and visual imagination of Renaissance England and then makes a case for the benefit and utility of mapping out their specific areas of intersection. Although the cross-pollination between memory and mortality is not strictly reciprocal, the two thematic fields during the period overlap in a range of philosophical, educational, theological, and ceremonial domains so that studying one field requires scholars to investigate and understand the other.
Drawing together leading scholars of early modern memory studies and death studies, Memory and Mortality in Renaissance England explores and illuminates the interrelationships of these categories of Renaissance knowing and doing, theory and praxis. The collection features an extended Introduction that establishes the rich vein connecting these two fields of study and investigation. Thereafter, the collection is arranged into three subsections, 'The Arts of Remembering Death', 'Grounding the Remembrance of the Dead', and 'The Ends of Commemoration', where contributors analyse how memory and mortality intersected in writings, devotional practice, and visual culture. The book will appeal to scholars of early modern literature and culture, book history, art history, and the history of mnemonics and thanatology, and will prove an indispensable guide for researchers, instructors, and students alike.
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