A comprehensive look at the events of the 2020 election, Trump’s loss, his efforts to reverse the results of the election, the attack on the Capitol on January 6, 2021, and Trump’s second impeachment for incitement of insurrection. Addresses the reasons for the second acquittal and their implications.

The concluding chapter quickly surveys the arc of impeachment history through the two acquittals of Donald Trump and considers whether impeachment remains a useful tool against presidential overreach and what the two acquittals of Trump suggest about the health of the American political project.

Populism is unlikely to be effective where the masses are already incorporated into well-established programmatic parties. However, this chapter shows that deep socioeconomic crises can disrupt those political linkages, providing an opening for populism. The sudden rise of Hitler’s Nazi Party in the early 1930s provides the main narrative for this chapter. Long frustrated in both his armed and electoral attempts to gain power, the fallout of the Great Depression in 1929 and Germany’s own banking crisis of 1931 shocked many Germans, especially on the right, out of their existing political affiliations. Hitler, the master demagogue, was ready to take advantage through a sophisticated propaganda machine. In most other cases across interwar Europe, the populist strategy was ineffective. Less severe crises left most the populace embedded in their existing ties to bureaucratic and patronage-based parties.

This chapter examines the role of the storm as a setting for rhetorical performance in Roman epic, starting from the first simile of the Aeneid in which Neptun is compared to an orator and tracing its reception in Lucan and Silius. I argue that the orator in the storm becomes a key figure through which poets playfully question rhetoric’s claim to master the grand style that is traditionally assimilated to stormy natural phenomena. These scenes of “embedded” rhetorical performance provide a self-conscious commentary on rhetoric and its relation to poetry. Far from being “seduced” or “victimized” by rhetorical influence, poets address and react to the cultural narratives about poetry’s relation to rhetoric found in rhetorical texts, for example, in Cicero.

This chapter focuses on select scenes of deliberative oratory in Roman epic and on the figure of the demagogue who inhabits them - Thersites in the Iliad, Drances in Virgil’s Aeneid 11, Odysseus in Ovid’s Metamorphoses 13, Cicero in Lucan, Varro in Silius. Tracing the ways in which poets use these orators as foils for their generic rivals, I suggest that far from chanelling disapproval of rhetoric, these demagogues are truly hybrid figures, who leverage anti-rhetorical discourse while simultaneously claiming for poetry the same power and persuasiveness of rhetoric.