This article adopts a labour process theory approach to analysing distinct circuits of labour control in platform video game work in China, a novel manifestation of the platform economy rooted in the special formation of Chinese gaming infrastructure as well as in precarious labour regimes. Platform game work encompasses a broad range of online video game services such as live game streaming, paid boosting, and game companion, matching customers’ demands to workers who provide entertainment or assist play. Platform game work has drawn an estimated seven million young workers into precarious employment during the past decade. The article outlines three interwoven features defining the fragmented control of platform game work: the crucial function of extra-platform intermediaries in regulating labour processes; the deployment of relationship labour in order matching and community management; and the mutual reinforcement of platform diversity and fast-moving platform architecture. These three features co-create a decentralised yet resilient structure organised by a network of platform and non-platform, human and machine agencies. Positioning platform game work in the broad spectrum of gig work, the article illuminates new modes of labour control and workers’ embedded agency, adding to the nascent literature on diverse labour regimes and subjectivities in the platform economy.

A number of important topics, themes and concepts frequently recur in studies of digital labour over the past decade, such as exploitation, precarity, unpaid labour, gig economy and platform labour. The first generation of the critique has drawn on a variety of Marxist, post-structuralist and Weberian sources to question prevailing neo-liberal and centrist models centred on values of efficiency and the supposed empowerment of workers and users. While these topics, themes and concepts have been beneficial in establishing a basis for critique, there is a danger that they may become rather familiar and potentially even a little stale. Therefore, this article suggests a need to renew the critique of digital labour, as the digital realm stabilises around a set of key global players and platforms and as labour activists continue to face serious obstacles to success in an era of authoritarian populism. Here, I concentrate on introducing our themed collection surrounding a renewed critique moving beyond a dichotomy of exploitation and labour agency. I also encourage different disciplines to enrich and renew studies of digital labour.

Since emerging around 2010, maker culture and the maker movement have drawn little attention from digital labour research. This article fills the gap by exploring sociocultural dynamics that have emerged in maker culture, such as how makers in China mobilise their agency to struggle for a path forward to achieve decent work and a better society. The article first reviews research on the Chinese maker community as well as digital labour, in particular the dualism of exploitation and workplace resistance in current digital labour research. It argues that makers, in the case studied, mobilise certain agency initiating from sociocultural dynamics beyond the framework of exploitation. The article then explicates the argument with cases collected from our fieldwork in Shenzhen’s maker community in July–August 2017. It shows makers’ practices originating from the open-source ethos, such as an awareness of sharing and mutual support in moulding a ‘micro-innovation’ model, and in creating products that aim to benefit vulnerable communities and build up a sustainable ecosystem. The article thus turns the current economic discussion on maker culture in a new direction: the sociocultural impact of the maker movement. Furthermore, it suggests that this research on the sociocultural impact fills the gap between existing digital labour research and maker studies.

Internships are prevalent in new media industries and have become the focus of news reports and popular writings in recent years. This article addresses the gap between intern research and digital labour research. It asks: How are these interns working and living? What are the power dynamics behind interns’ experiences? To what extent can digital labour theories be applied to explore these experiences? Based on empirical research conducted at two Chinese Internet companies, this article shows that interns in Chinese Internet industries experience poor working conditions and difficult living conditions. These are caused by power dynamics within the companies, such as tensions between interns and full-time Internet workers, and power dynamics within Chinese society, such as those between Chinese universities and Internet companies involved in these internships. The article argues that such difficult conditions are caused by Internet companies and the Chinese higher education system, both of which engage in forms of coercion and alienation. Digital labour theories need to take greater account of intern labour and of interns’ experiences of precarious work in the new media industries.

By analysing the recent emerging labour movement of Korean digital game workers, this article seeks to explore a relatively novel issue – the importance of a politics of body in digital labour. By employing Elaine Scarry’s concept of ‘language of agency’ and ‘analogical substantiation’, the article first investigates how digital game workers express their work experiences and their embodied pain by analysing the mechanism of ‘crunch’ practice. Second, by examining ‘karoshi (overwork to death)’ and a series of suicides of digital game workers in Korea, it seeks to explore the problem of death as the final form of bodily pain – focusing on how these death events led workers to develop new forms of politics and solidarity by organising labour unions. Finally, by analysing the newly established digital game worker unions’ opposition to the violation of worktime regulation as a ‘struggle for recognition’, this research illuminates how digital game workers not only acquire self-respect but also achieve social recognition for their bodies as working labour. By examining this labour union organisation practice in Korea, the study ultimately argues that recognising the politics of body in digital labour offers the possibility that an emerging social category of precariat can actually co-exist and connect with the existing social class of proletariat.