This article offers an account of Roman imperial cameos as an archaeological category, and argues that the production of large high-quality cameos was more restricted in time than currently allowed; that the controversial dates and subjects of individual cameos need to be set in the wider sequence of the main examples; and that early imperial praise poetry sits in relationship to court cameos in a way that can be usefully investigated around their shared concern to understand the particular character of imperial divinity. An Appendix gives details of forty-one examples illustrated and discussed.

The late John Webster advocated both for a theological theology and a robust recovery of God's intrinsic perfection. This article examines how both occupations are related in Webster's thought by setting forth six statements summarising his doctrine of God and his theological approach to it. According to Webster, the doctrine of God is theological to the extent it upholds the principle of solus Deus in theology's formal and material consideration of God's perfection. Only thus does theology articulate the crucial distinction between and yet correspondence of God's antecedent perfection and God's intimate presence with us.

The doctrine of divine aseity has played a significant role in the development of classical theism. However, very little attention has been paid in recent years to the question of how precisely aseity should be characterized. We argue that this neglect is unwarranted since extant characterizations of this central divine attribute quickly encounter difficulties. In particular, we present a new argument to show that the most widely accepted contemporary account of aseity is inconsistent. We then consider the prospects for developing a new account of aseity which avoids the pitfalls we have highlighted.

This article makes a case for universal salvation based on the soteriology of Anselm of Canterbury's Cur Deus Homo. It argues that without an affirmation of universal salvation, Anselm's argument fails on the grounds of its own soteriological logic, which unites the fitting and the necessary for God, assumes the primary importance of divine aseity for understanding salvation history, and affirms the ontological unity of the human race as the object of God's redemptive love. Also detailed is the development of the relationship between mercy and justice in Anselm's thought from the Proslogion to Cur Deus Homo, and it is shown how Anselm's developed soteriology in the latter challenges major features of the Augustinianism he inherited. The article concludes that a robust theology of divine aseity like Anselm's will entail that creation be understood as a theatre for the manifestation of God's eternal love for his creatures.