In June 2019, Google announced plans to connect Africa to Europe through an undersea internet cable project named Equiano. As a techno-commercial platform, Google’s gesture warrants scrutiny and propels this essay’s analyses of the political connections of Internet spaces that also enable a visual turn in the scholarship of African history. Using the Google search engine and Facebook, Yékú and Ojebode stress the embeddedness of digital technologies in cultural meanings that include visual narratives that visibilize government’s ahistoricism. They conclude by foregrounding the digital labors of Nigerian digital subjects who deploy historical photographs on Facebook as expressions of performative nostalgia.