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Scripting their own lines, African Americans in Britain’s North American colonies early joined in the fresh discourse touting “the rights of man” that propelled the US era of independence. They heard from the works of Locke, Montesquieu, Rousseau, and others attacks on authority derived from anything other than personal consent, and they turned that to attacks against their enslavement and subordination. From religious rhetoric emphasizing slaveholders’ Christian hypocrisy, they moved more and more to political arguments against their condition, deploying rhetoric of individual rights as evidenced in governmental petitions and other writings particularly from the 1770s through the 1790s. Shifting from merely escaping slavery, African Americans moved to embrace equal protections and rights regardless of race. They escalated from appeals to white conscience to appeals to Black consciousness. Pressing for a new day, African American writers advanced not only Christian brotherhood but also a brotherhood of shared African ancestry engaged in cooperative action for mutual recognition, relief, benefit, and advancement to escape exclusion from the promise of American life.
This volume provides an illuminating exploration of the development of early African American literature from an African diasporic perspective—in Africa, England, and the Americas. It juxtaposes analyses of writings by familiar authors like Phillis Wheatley and Olaudah Equiano with those of lesser known or examined works by writers such as David Margrett and Isabel de Olvera to explore how issues including forced migration, enslavement, authorship, and racial identity influenced early Black literary production and how theoretical frameworks like Afrofuturism and intersectionality can enrich our understanding of texts produced in this period. Chapters grouped in four sections – Limits and Liberties of Early Black Print Culture, Black Writing and Revolution, Early African American Life in Literature, and Evolutions of Early Black Literature – examine how transitions coupled with conceptions of race, the impacts of revolution, and the effects of religion shaped the trajectory of authors' lives and the production of their literature.
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