In this study, we compared affective ratings of emotional valence and arousal for 882 Serbian words at three points in time: before the onset of the COVID-19 pandemic (2018), during the COVID-19 lockdown (2020), and after the government measures were abandoned (2022). We did not observe a significant change in average valence or arousal ratings across time points. A more detailed look into the data revealed the change in arousal that was different across the valence values. An increase in their linear correlations and a decrease in the nonlinearity of the GAMM smooth demonstrated that, upon the onset of the COVID-19 pandemic, emotionally negative words elicited higher arousal ratings, whereas emotionally positive words elicited lower arousal ratings. It revealed that our participants became more sensitive to the negative content and less sensitive to the positive content. Our results add to the findings, which showed that the relationship between emotional valence and arousal is a function of contextual factors, which primarily influence the arousal of words.

Perceptual information includes sensorimotor and emotional experience regarding the multimodality of the perceptual system. The current study provides an image-based visual analysis on the embodiment of color metaphors through the investigation of (i) the perceptual (dis)similarities between the literal and metaphorical meanings of the Chinese color terms hēi ‘black’ and bái ‘white’ and (ii) the influence of emotional valence on the degree of their perceptual (dis)similarities. Specifically, 24 concepts in three semantic domains were represented as eight-dimensional vectors based on the color information extracted from online images, including two color concepts of black and white, 20 abstract concepts referring to 8 metaphorical meanings of hēi and 12 metaphorical meanings of bái, and two abstract concepts referring to positive and negative affective polarity. Statistical analyses show that (i) the literal and metaphorical meanings of hēi and bái are perceptually distinguishable given their significant perceptual (dis)similarities and (ii) the observed perceptual distinguishability cannot be solely attributed to the (in)consistency of emotional valence associated with the senses. The present study provides nonlinguistic evidence for the embodiment of color metaphors in the Chinese context with an empirical approach that can simultaneously capture the metaphorical mappings and affective associations among cross-domain concepts with sensory data.