Tolstoy’s works have been adapted into film more often than any other Russian writer except for Dostoevsky. This chapter covers Russian and world cinematic adaptations of War and Peace, Anna Karenina, Resurrection, and various shorter works of Tolstoy. Tolstoy’s novels, with their vast length, broad canvas, and complex plots, create unique challenges for prospective filmmakers. While some directors attempt to film his texts as closely as possible, others choose to single out particular aspects of his novels as their foci. Adapters of Anna Karenina, for instance, often focus almost exclusively on Anna and Vronsky’s love affair, while minimizing the plotline involving Levin. Cultural factors often come into play, for instance in Sergei Bondarchuk’s War and Peace, which adapts Tolstoy’s text in light of the Brezhnev-era demand for monumentalism, and for conveying the patriotic aspects of the novel. Shorter works such as The Death of Ivan Ilyich and The Kreutzer Sonata have inspired particularly creative approaches, as directors often freely combine Tolstoy’s short narratives with other texts and set them in remarkably different social, historical, and cultural contexts.

“Homer and Homerica on Screen” surveys the wide range of adaptations and other reworkings of Homeric epic in cinema and television from 1905 to 2013.