During a week in September of 2016, the Fuerzas Armadas Revolucionarias de Colombia (Revolutionary Armed Forces of Colombia, FARC) held its tenth guerrilla conference, the Décima, in the plains of Yarí in southern Colombia. The guerrilla group blew the event open to the media, orchestrating a festival cum eco-conflict-tourism extravaganza to mark its transition to legal politics. This photo/ethnographic analysis of the Décima illuminates the FARC's symbolic and discursive formation at a pivotal transitional moment and how the group imagined its political possibilities at the cusp of its demobilisation. By engaging with Guy Debord's concept of ‘integrated spectacle’, I argue that the FARC's vanguardist structure led it to brand itself as the leader of a broad political mobilisation, even as it struggled to retain the allegiance of its former combatants. The article considers the ongoing relevance of the integrated spectacle for scholars and activists and opens a path for further research into politics of spectacle in Latin America.
