Pleistocene human remains are rare inland on the Iberian Peninsula. Most are considered Neandertals, but anthropological analyses and direct dating are rare. Recently, we published a study of a navicular from this region found in the Torrejones Cave. The results showed it differed from that of Neandertals and it was re-identified as Homo sapiens. Following the previous stratigraphic and biochronologic descriptions, we suggested that it could correspond to an Upper Paleolithic human, since the navicular was apparently recovered in the Late Pleistocene from an in situ unit. Direct radiocarbon dating from this fossil (4855–5036 cal BP), believed to be the only Paleolithic Homo sapiens from inland Iberia, as well as other hominin and faunal remains from the site, show that the human bones actually date to the Chalcolithic. The unexpectedly recent chronology for the navicular implies that there is no evidence of human fossils from the Upper Paleolithic in Torrejones Cave. Thus, any date from the Middle/Upper Paleolithic human record should be taken with caution until in-depth paleoanthropological, stratigraphical and/or direct dating studies are conducted. Extraordinary caution is recommended when human remains are recovered from apparently Paleolithic units in contexts bearing Holocene sepulchral units on the uppermost levels and/or some evidence of bioturbation.

In this article Kris Darby examines the significance of walking on the theatre stage, responding to the growth of pedestrian performance as an area of research. He seeks to provide a point of expansion for a field that is still largely concerned with site-specific works where audiences walk during the performance. Beginning with a discussion of the possible reasons for the neglect of walking on stage, the author addresses the prominence of walking and the journey as a rehearsal tool employed by a wealth of practitioners. As further justification for the inclusion of the stage in pedestrian performance research, a series of historical case studies is presented which spans over a century of theatrical history, and includes an examination of the audience's pilgrimage to Richard Wagner's Parsifal (1882) and the ‘epic flow“ of Erwin Piscator's treadmill in Good Soldier Schwejk (1927). The significance of walking in Samuel Beckett's life is also explored through the ‘inward walking’ of Footfalls (1976), and the proscenium staging of Matthew Earnest's Wanderlust (2010) is made significant through its critique of supermodernity. The author concludes by arguing that an immobile audience can kinaesthetically empathize with the performers, embarking on their own internalized journey within the theatre. Kris Darby is a Post-Doctoral Teaching Fellow in Drama at Liverpool Hope, whose research interests concern the relationship between walking and performance.

Slippery surfaces are a continuous concern in equine veterinary practice during both treatment and orthopaedic work-ups, especially when horses have to trot on circles. Sliding of the equine foot on the ground with the potential of injury is prevented if the horizontally acting accelerating or decelerating forces on the foot do not exceed maximal friction. Friction can be calculated and therefore anticipated if the coefficient of friction (μ) between the foot of the horse and the particular ground surface is known. Friction between shod and unshod cadaver equine hooves and different ground surfaces (concrete, tarmac and rubber) was determined by pulling the hooves horizontally in a uniform motion. Horizontal forces (Fh) were measured on a force plate and with a portable digital electronic force meter. The coefficient of friction (μ) was calculated as the quotient between Fh and the gravity force (N) of the object, hence: μ = Fh /N. This study has shown that the coefficient of friction between equine hooves and a specific ground surface can be determined using a portable digital force meter or a force plate. Friction significantly depended not only on the type of surface but also on shoeing of the equine foot. Bare feet showed more friction with the hard surfaces (bricks and tarmac), the shod feet showing more friction with the rubber surfaces. Coefficients of friction could be used to estimate the possibility of injuries occurring in the equine industry during exercise and/or lameness or pre-purchase examinations.

The influence of the physical structure level in the diet on animal performance was investigated in 52 Belgian Blue doublemuscled bulls starting from a live weight of 348 kg until slaughter at about 645 kg. Four diets with different concentrate/maize silage ratios were offered ad libitum. The structural value (SV), developed in Belgium as a measure of physical structure in the diet for dairy cows, amounted to respectively 0.63 (HSV; high SV), 0.54 (MSV; moderate SV), 0.43 (LSV; low SV) and 0.34 (VLSV; very low SV) per kg dry matter.

Growth rate, food intake and food conversion were all linearly affected by the decreasing SV of the diet. Among carcass parameters only the SEUROP conformation score showed a significant effect of the SV, with the MSV group having the highest score and VLSV the lowest. No important influence of the SV on the histological damage of the ruminal papillae or on the foot lesions was found.

Based on the lower growth rate and food intake of the LSV group versus the HSV group, a SV of the diet between 0.54 and 0.43 is considered as an absolute minimum for Belgian Blue double-muscled bulls.